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Research on Communication Strategies of Intangible Cultural Heritage from the Perspective of Post-Theatrical Narrative -- Take Lu Opera as an Example

Received: 19 September 2023    Accepted: 26 October 2023    Published: 31 October 2023
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Abstract

The Chinese nation has a long history, which has given birth to the cultural products with local characteristics such as drama, dance and folk songs, which together constitute the splendid treasures of Chinese culture. As a popular local opera in Anhui province, Lu Opera, an intangible cultural heritage, has a history of more than one hundred years and has historical, cultural and artistic values. However, with the deepening of the new media era, the well-known operas such as Beijing Opera and Huangmei Opera continue to change, which has squeezed the living space of the traditional Lu opera. Based on the post-theatrical narrative perspective, this paper analyzes the self-narrative symbols and consumption symbols of Lu opera in performance, and explores the current communication difficulties of Lu opera through interviews, such as language barrier, performance time limitation, loss of young audiences, etc. On this basis, starting from the cultivation theory, the communication strategies of Lu Opera are proposed through cultural connotation, brand effect and media environment. Targeted solutions to the problem, in order to unite the forces of all parties to improve the current situation of Lu opera dissemination, and then create an ecological environment suitable for the protection, dissemination and inheritance of Lu opera.

Published in Science Innovation (Volume 11, Issue 5)
DOI 10.11648/j.si.20231105.14
Page(s) 215-218
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Use and Satisfaction, Intangible Cultural Heritage, Lu Opera, Dissemination

References
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[7] 方克逸. 庐剧溯源 [J]. 江淮文史, 2021 (01).
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  • APA Style

    Jing, G. (2023). Research on Communication Strategies of Intangible Cultural Heritage from the Perspective of Post-Theatrical Narrative -- Take Lu Opera as an Example. Science Innovation, 11(5), 215-218. https://doi.org/10.11648/j.si.20231105.14

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    ACS Style

    Jing, G. Research on Communication Strategies of Intangible Cultural Heritage from the Perspective of Post-Theatrical Narrative -- Take Lu Opera as an Example. Sci. Innov. 2023, 11(5), 215-218. doi: 10.11648/j.si.20231105.14

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    AMA Style

    Jing G. Research on Communication Strategies of Intangible Cultural Heritage from the Perspective of Post-Theatrical Narrative -- Take Lu Opera as an Example. Sci Innov. 2023;11(5):215-218. doi: 10.11648/j.si.20231105.14

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  • @article{10.11648/j.si.20231105.14,
      author = {Guan Jing},
      title = {Research on Communication Strategies of Intangible Cultural Heritage from the Perspective of Post-Theatrical Narrative -- Take Lu Opera as an Example},
      journal = {Science Innovation},
      volume = {11},
      number = {5},
      pages = {215-218},
      doi = {10.11648/j.si.20231105.14},
      url = {https://doi.org/10.11648/j.si.20231105.14},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20231105.14},
      abstract = {The Chinese nation has a long history, which has given birth to the cultural products with local characteristics such as drama, dance and folk songs, which together constitute the splendid treasures of Chinese culture. As a popular local opera in Anhui province, Lu Opera, an intangible cultural heritage, has a history of more than one hundred years and has historical, cultural and artistic values. However, with the deepening of the new media era, the well-known operas such as Beijing Opera and Huangmei Opera continue to change, which has squeezed the living space of the traditional Lu opera. Based on the post-theatrical narrative perspective, this paper analyzes the self-narrative symbols and consumption symbols of Lu opera in performance, and explores the current communication difficulties of Lu opera through interviews, such as language barrier, performance time limitation, loss of young audiences, etc. On this basis, starting from the cultivation theory, the communication strategies of Lu Opera are proposed through cultural connotation, brand effect and media environment. Targeted solutions to the problem, in order to unite the forces of all parties to improve the current situation of Lu opera dissemination, and then create an ecological environment suitable for the protection, dissemination and inheritance of Lu opera.
    },
     year = {2023}
    }
    

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    AB  - The Chinese nation has a long history, which has given birth to the cultural products with local characteristics such as drama, dance and folk songs, which together constitute the splendid treasures of Chinese culture. As a popular local opera in Anhui province, Lu Opera, an intangible cultural heritage, has a history of more than one hundred years and has historical, cultural and artistic values. However, with the deepening of the new media era, the well-known operas such as Beijing Opera and Huangmei Opera continue to change, which has squeezed the living space of the traditional Lu opera. Based on the post-theatrical narrative perspective, this paper analyzes the self-narrative symbols and consumption symbols of Lu opera in performance, and explores the current communication difficulties of Lu opera through interviews, such as language barrier, performance time limitation, loss of young audiences, etc. On this basis, starting from the cultivation theory, the communication strategies of Lu Opera are proposed through cultural connotation, brand effect and media environment. Targeted solutions to the problem, in order to unite the forces of all parties to improve the current situation of Lu opera dissemination, and then create an ecological environment suitable for the protection, dissemination and inheritance of Lu opera.
    
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Author Information
  • School of Journalism and Communication, Xizang Minzu University, Xianyang, China

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